
Laurence Aellion
Aeillon’s work reflects a natural and power- ful aesthetic sense, not devoid of a deep environmental mes- sage. Her elegant 3D carpets made of plas- tic yarn and installa- tions evoking under- water worlds, convey a powerful message through a refined process of material sublimation that could be described as the aestheticization of waste.
In my work, I explore the delicate boundary between the artificial and the natural, where each plastic fragment becomes a witness to humanity in tension with its environment. My approach questions how we perceive the object: is it a simple tool destined for destruction, or can it embody a part of our essence, a reflection of our time? By transforming these discarded materials, I aim to elevate them to the status of symbols, not only of our culture of overconsumption but also of our capacity to create meaning from what seems devoid of value. My work engages with the idea of resilience, evoking the possibility of reinventing our relationship with the material world. Thus, I invite a deeper reflection on the interconnection between humanity, nature, and matter while questioning the limits of our ecological and cultural impact.
Used material, technique, support:
Red plastic food nets: tubular nets, raschel knitted nets, woven nets. Steel mesh. The materials are unraveled, or thermally worked, then assembled to create a coral tapestry.
Artwork Description:
This work, which evokes a tapestry, reveals its plastic nature as one approaches. Composed of varied shapes and textures reminiscent of corals, it emerges from the wall to create an effect of movement and depth. The intense red attracts the eye, while the diversity of the components, made of plastic waste, invites a detailed visual explo- ration. The use of plastic waste to create organic forms, establishes a contrast between the industrial coldness of the materials and the softness of the forms inspired by nature, highlighting a subtle cri- tique of our environmental impact.